1. |
Come Back, Ana
02:48
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What is it that you cannot let go of? It’s certainly not me / Hardly a thought was spent on us / You didn’t want me / loved from birth / left the earth / Ana, come back / come back / loved from birth / left the earth / Ana, come back / come back / I suppose you can really overthink / something like this or anything... I’m thinking about taking a walk / A little walk alone / A little walk around the block / Around the block alone / loved from birth / left the earth / Ana, come back / come back / loved from birth / left the earth / Ana, come back / come back
135 bpm, capo 5, Em C G / Em D / C / G / C D Em / C G
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2. |
Crosseyed
02:20
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You look at me like I’m cross-eyed / and I’m not sure I’m not / I’m telling you we’re going for a little ride / And you’re giving it all you got / I didn’t sleep at all last night / Even though you know I’m right / well maybe you and me / should’ve been a thing / That would’ve been great, right? You look at me like I’m cross-eyed / You’re giving it all you got / Making sure the facts are all on my side / cuz I’m pretty sure you’re not / I’ve got two feet on the ground / Even though I know you’re not around / a mouth full of dirt / so i won’t get hurt / Trees falling never make a sound / You look at me like I’m cross-eyed / and I’m not sure I’m not / I’m telling you we’re going for a little ride / And you’re giving it all you got / and I’m so sure I’m not
155 bpm, D A D G / D A D / Bm A D G / D A D / Bm A / Bm G
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3. |
The Drought
02:36
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Her mouth is dry. She’s half asleep / Squeezing drops of yellow pee / Her skin is dry. Her head hurts / Can it get much worse / Can it get much worse / My baby needs water / but the water’s run out / How will we make it / through the drought / through the drought / How will we make it / through the drought / Can barely stand. She’s burning up / She wants to cry. Her skin is tough / Her spinning head. Her heart might burst / Can it get much worse / Can it get much worse / My baby needs water / but the water’s run out / How will we make it / through the drought / through the drought / How will we make it / through the drought
125 bpm, Bm G A D / D E7 G A / D G Em A / G A D
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4. |
Fractions
02:15
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two-thirds of my body / two-thirds of everything we do and of you / three-quarters of our journey / three-fourths of the rock we rest upon is half gone / Half-full glass of water / Half-full underwater... two-fifths of my time is spent out of my mind / the rest of the time is with you / one-third of my options / two-thirds of all that I do is not for me / it’s all for you / Half-full glass of water / Half-full underwater... guitars! Half-full glass of water / Half-full underwater...
135 bpm, capo 5, G C
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5. |
Worse Today
02:13
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You look worse today / But who am I to say / On any given day / I wish I didn’t look this way / I find it hard to breathe the air / Did I agree to smile and share / Is everyone ok but me? I feel worse today / Worse in every single way / Just gotta get on through today / And hope he answers when I pray / I find it hard to breathe the air / Did I agree to smile and share / Is everyone ok but me? (I am worse today) but I have to stay
160 bpm, capo 2, G C Em, Am / Em Am D Am
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6. |
You’re Making It Worse
02:09
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I don’t know what to do nothing seems to work / and you keep on making it worse / I called you here to help / you said you’d break the curse / but you keep on making it worse / You’re making it worse / Every day in every way / You’re making it worse / You’re pouring gasoline onto the flames / You’re making it worse... You got a lot of nerve to call yourself a nurse / cuz you keep on making it worse / You’re making it worse / Even when the room is clear / You’re making it worse / Like a blowtorch blowing flames in my ear / You’re making it worse... You’re making it worse / Every day in every way / You’re making it worse / You’re pouring gasoline onto the flames / You’re making it worse
135 bpm, D D A A, D D Bm, D D A A, D / G A, G D A, G A / D C G C D, A D
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7. |
I Hate This
02:06
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I spent the morning with an old friend, I think I’ll go to bed / The smell of smog hurts my head, so I stay up instead / Come to think of it it’s been a week, since I’ve been asleep / When the morning comes I want to shout, but I can’t make a sound / Why stay through all this mess well I hate this / I hate to swing and miss yeah I hate this / (whistle) / I feel the bubble rising to a burp, unless I stop it first / I hear her gasping in the other room, well she should dust her broom / Why stay through all this mess well I hate this / I hate to swing and miss well I hate this / I hate this
125 bpm, C G, A G F E / A G F G
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8. |
Now and Then
02:33
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Things didn’t go so well for us yesterday / We can both use a fresh coat of paint / The why is not your concern / I know what you are, what you were / Now and then / I smell a rose / I feel the grass / between my toes / Now and then / I’m finally out of the mail room / I like to know what I’m walking into / I see you in the window / Are you out, are you in, though / It’s hard to tell if you’re in a fresh coat / Now and then / I smell a rose / Facts are facts / between my toes / Now and then... Now and then / I smell a rose / Feel the grass / between my toes / Now and then / Now and then / Now and then
130 bpm, capo 3, C G, D, G / C G, D, Em / D G / C Am
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9. |
Dead Horse
02:34
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We’re gonna have to hear it again / take out the bats and call your men / So strike a match at the count of ten / It's good to have a dog around / It's the least you can do for me now / Before I burn the whole thing to the ground / You might see things differently of course / if you hadn’t seen the dead horse / Over and over again, in your head / Over and over again, in your head / I should’ve kept this away from you / That’s what she told me I ought to do / And I knew it, I certainly knew / I might see things differently of course / if I couldn’t shake the dead horse
115 bpm, Bb F, Dm A, C, G7 / Dm C Bb C, Dm C Bb F
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10. |
Ghost Stories
01:56
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Gather around the campfire tonight / And listen to the stories they tell / You’re welcome to share one of your own / Or you're welcome to keep it to yourself / Gather around the campfire tonight / The ghosts may pay a visit from hell / I’d strongly suggest you not sleep alone / That's not smoke that you smell
130 bpm, capo 7, C D G Em / D A G A
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11. |
Pretty Ghost
02:00
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Shouldn’t she be / Shouldn’t she say / Everything / In every way / Who do I need / Who needs me th’ most / Who do I see / The pretty ghost, the pretty ghost / Shouldn’t she float / Above the ground / Shouldn’t she walk / Without a sound / The pretty ghost, the pretty ghost / The pretty ghost, the pretty ghost
145 bpm, Bm A G A / Bm A D E / G A G A
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12. |
Good Morning
03:00
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Well, goodnight to me / I expect the sweetest dreams / I’d never have guessed at this end / You’re falling asleep / lying next to me / I’m guessing that we’re now much more than friends / Well I can’t wait to say / Good morning baby / I can’t wait to say / Good morning / Well, I fell asleep / eventually / and I dreamt all night of the day / I woke up first / Ignored my thirst / And lied in bed and stared your way / Well I can’t wait to say / Good morning baby / I can’t wait to say / Good morning / Good morning / Good good good good morning
120 bpm, E C#m A C#m / E C#m E / A C#m / C#m B E A / B
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King Everything Pendleton, New York
Loud & quiet; odd & ordinary; mysterious & straightforward; vague & clear; joyous & angry; fast & slow; messy & organized; simple & complicated; succinct & wordy; energetic & lackadaisical; continuous & disjointed; hopeless & rosy; new & familiar.
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